Lina by herself: the construction of a woman’s self-image in architecture

Abstract

This article presents an exploration of the figure and trajectory of Lina Bo Bardi, focusing on the processes of constructing her self-image and self-representation. The analysis encompasses posed iconographies and written works authored by Lina, primarily published in magazines during the 1940s and 1950s. Special attention is given to texts that touch upon gender issues and the architect’s positioning as a woman in the field of architecture. The objective is to investigate her strategies and mechanisms for navigating a predominantly male-dominated field, delving into her individual trajectory and diverse forms of production. By doing so, a deeper understanding of the contours of the architectural profession is sought. Drawing from various theoretical and methodological references, we also seek to situate Lina within a moment of consolidation of modern architecture in Italy and Brazil. It recognizes and explores the crucial role of agents, social space, fields, and context in shaping Lina Bo Bardi as both a professional and an individual.